On art.

This is an account of innovative "stained-glass" work done by youngsters in a Sunday School in the first decade of the 21st Century. Designed for their parish church, it deploys plastics technology and was undertaken partly in reparation of mid-20th Century arson damage to its Victorian glass. I love this body of work because it shows great respect for the medieval. It is at once muscular, naive, and feeling: I risk saying that it leaps across centuries, just as great Old Stained Glass does. Read more...

Subtitle: Female affluence and patronage, or the vicissitudes of compulsive collectors. Or: Abbesses, arrivistes, aristocrats and art.

Context: Last October my wife and I broke a round trip to Northumbria with overnights in the English Midlands and came across fabulous artistic treats. I was guided partly by a Matthew Parris… Read more...

I have become a stained glass nut and hunt it down wherever I may. It is a crucial add-on focus for any trips. It is an addition to the spiritual tourism I am prone to as some sort of secular pilgrim. It is worth saying that this can be virtual… Read more...

Liminal is a lovely word for what I find a very moving and rewarding set of ideas. Much as I like it, though, I find its use, including even my own use of it, may have got out of hand. This piece explores some of all that. I want to… Read more...

If you are reading this, something has made you curious about what liminality might be or mean. This piece discusses what I will call the Liminal Zone. It’s a wide imaginary territory where Loose Liminality roams free. I call it a zone because in 1988 I wrote an essay in… Read more...

This is a longish (1,700 word) cribsheet on how one can judge gardens – and fashion, art and much else - almost objectively. It aims to counter the relativism and populism of the argument which suggests that all opinions are subjective and thus purely a matter of personal taste. Read more...

I very much enjoyed Carey Young's video installation at the Towner Gallery, Eastbourne. (It closes 2 June 2019 but I imagine it will be screened elsewhere.) I know that I wanted to see the thing as soon as I saw the publicity still of a fair-haired, I would say careworn, woman, a judge I presume, returning the camera's stare. I am a little foxed and therefore intrigued as to what, in the event, it achieved for me. Read more...

In 1924, Stanley Kennedy North drew two maps, one for the Thomas Cook tourist business and the other a London transport map for the 1924 British Empire Exhibition (the one featured in The King's Speech).

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The Jewish Museum in Camden Town, London, has put on a revelatory exhibit: Designs on Britain. It’s about the works of Jewish émigré designers who escaped Hitler’s Reich to settle here. Their images and inventions contributed to the upbeat, the witty, the bright - and also sometimes the edgy -  in the day-to-day experience of British people. By the way, the show does not feature the most famous Jewish designer of the period: Abram Games was born in the UK (and has had his own one-man show at the Museum).

Hardly anyone, I think, realised or realise just how many Jewish people produced the designs which populated our lives back then. Because I can find no one-stop online bringing-together of this story, here's my rather casual and amateur attempt... Read more...