Mind & body.

Brian Cox has already suggested that mankind is alone, and should celebrate the wonder of it.  But, as he is foremost in reminding us, we are also the shards of star-dust that have become conscious and clever. Indeed, in creating industrial scale fusion reactors, if we ever do, we will have succeeded in not merely imitating our sun, but have found how to deploy its forces. Read more...

The idea of the Anthropocene has been gaining traction, not least in a spate of books (as exemplified in an FT books review roundup, "Masters of the Earth", 13/14 December 2014). Unfortunately, most takes on the Anthropocene seem misanthropic. Luckily, Professor Brian Cox makes a sort-of exception.  We are alone, and it is exciting. Read more...

There's a lot to like in Interstellar, and much of it has been caught by professional reviewers. I think there are several dimensions (oops) one needs to reckon with. One: is the story a convincing human - personal - drama? Two: is it a good morality tale? Three: is it a good cinematic theme park ride? Four: is its science robust? If you've the patience here's my unpick of some of those, below the fold. Read more...

I had an outing on this Sunday morning show as a paper reviewer (and squibbist on Strictly Come Dancing) and said one thing which may have seemed distasteful. Can I try to put things right here, below the fold? Read more...

In around 2013 I was given a unique, beautiful book, The Story of 79th Armoured Division: October 1942 - June 1945, published  by the unit's officers and men in July 1945 in the ruins of Hamburg, which they had just helped liberate. Since then, I have researched a fair bit and here is what I think I know, or can reasonably guess at.... Update: December 2017 brought a new hypothesis that Broschek of Hamburg may have produced the book (see below). Read more...

At long last I have visited the Britten-Pears residence, shrine and museum which is the Red House, Aldeburgh, Suffolk. It was indeed up there with the Bloomsberries' Charleston, near Eastbourne,;or with Karen Blixen's Rungstedland, near Copenhagen (or her house by the Ngong Hills, near Nairobi). All are places where creative people surrounded themselves with good taste. Above all, the Red House could be compared with the wonder of Kettle's Yard, Cambridge. Both these East Anglian gems are, after all, pilgrimages for the "Soft-Modernism" which the middle classes adopted from their post-war Bohemian leaders in style. In the event, the Red House excelled, and was almost a disappointment too. Read more...

This is a very fine book, and well merits the comparison with the writing of Penelope Fitzgerald which Adam Mars-Jones drew in his Observer review. It's a comparison as to both classiness and type, and I hadn't made it, which was dumb of me, since I have been reading and loving Fitzgerald. Read more...

This is the third of my recent pieces on my take on spirituality. The second looked at how my idea of spirituality works within my right-wingery; the first looked at how I frame the idea of spirituality more widely. This one, I hope, will explain a little more about how my definitions of spirituality and of personal consciousness, fit in with the wider human consciousness. So it is in part about how my idea of spirituality fits with Teilhard de Chardin's Noosphere.  Read more...

This is the second of a trio of pieces on my take on modern spirituality. have been asked once or twice about the "change of heart" which lay behind my "change of mind", as I became more right-wing. Leave aside that my "radical" or "progressive" or "green" tendencies of the late 1970s were deviations from my previous and more recent thinking, here is an account of where my "heart" was and is, and how it relates to some big ideas of left and right.... Read more...

This is the first of a trio of pieces on my take on spirituality. Here's Number Two. And here's Number three. I have written elsewhere a bit about whether spirituality is an idea with meaning, for those of us who claim to be post-God. I usually say it is. Here's a word or two more about what it might look like and how one might head toward it... Read more...