On theatre.

Collaborative theatre, self-writing and showing-off

What kind of public performance should I try to deliver? I used to do quite big presentations for industry, schools, universities and NGOs. I appeared once at the Hay Literary Festival and once at Glastonbury (until I was run out of the latter by grunge eco-freaks). These events were highly argumentative, and entertaining for at least some in the audience, which I very seldom appeased.

Now, I want to face different challenges in a quite different spirit. Read more...

Published

10 March 2019

Jessica Chastain’s “Salomé”

Al Pacino's Salomé efforts are really wonderful and  I want to rattle on about all three: the film of the play; the documentary about the filming of the play; and the Stephen Fry Q&A on Sunday 21 September at the BFI. My main point is that Jessica Chastain was the star of all of them. Read more...

Published

22 September 2014

Medea: Revenge and The Avengers at the NT

Helen McRory's Medea was unmatchable, I'd guess. She is superb as the woman close to a complete breakdown but never more magnificent and even sometimes in an eerie sort of control, and not without wit and guile. Not at all without those latter, though at her wits' end. But let's get down to business - the bits she's not accountable for.   Read more...

Published

05 September 2014

David Hare’s Skylight revived

I like the idea of liking David Hare as a pretty good playwright of the human heart who is hopeless when he lets his NW1 soft-left liberalism close his mind like a clam. But his Skylight, recently reprised in the West End, and by the NT live in cinemas, makes this quite difficult. Read more...

Published

01 September 2014

Selsey’s fine homage to “Journey’s End”

Last evening I saw the very moving show, The End of the Journey, A promenade performance about WW1. It was staged in the same, small Pavilion Theatre in Selsey High Street where R C Sherriff took a keen interest in a late 1933 amateur production of his play, Journey's End, the hugely successful and influential West End hit of 1929. Read more...

Published

09 August 2014

Loving the fake (#2 of 2): Human zoos

I love the "problem" of tourism and - most sharply - the problem of the "human zoo". Almost all our travel, at least where it involves looking at people rather than landscape or animals, has a dimension of anthropological voyeurism. Much of it is a matter of play-acting amongst imagined peasantries or primitives. This has now reached new heights of self-consciousness, and is blissfully funny as well as serious.... Read more...

Published

24 April 2014

Elmgreen & Dragset’s “Tomorrow”, at the V&A

I was oddly touched by Tomorrow.  Its conceit was believable in both character and staging, and precisely because they are preposterous. Its central figure Norman Swann, was posited as probably queer and possibly a non-practising pederast; as glamorous, sad, modernist and - yes - socialist. Read more...

Published

10 October 2013

Nina Conti: a great show

Nina Conti is on the road this autumn and the sell-out show is really marvellous. It is clever, sharp and charming - rather as the on-stage presence of its star. Read more...

Published

04 October 2013

“Kiss Me, Kate” at Chichester

This is quite the show Billington, Purves, Letts and several others have noted. I only note that the musicals (both the Cole Porter show and the cod Broadway show he invents and parodies) are all the more beautiful because they take us closer to the sexual politics which Shakespeare's Shrew look at. Read more...

Published

29 June 2012
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