Richard D North.

This piece was triggered by the Pallant Gallery’s 2022 retrospective show and monograph, Glyn Philpot: Flesh and Spirit, and deploys much of the research behind that blockbuster show and tome. Glyn Philpot (1884-1937) was a major figure in his lifetime and a marginal one after it - until the Pallant breathed new life into his reputation.  The Pallant gave us Philpot's variety and variability, but also his  constancy and consistency. And his depth. I foreground what I take to be the spiritual quest which I think made his life and work a sort of pilgrimage. It is moot what might be heard of Philpot henceforth. He presents, as he always did, an embarrassment of riches, including some forgiveable embarrassments. Born 140 years ago, he is a superb man for our times, as he was for his own. I hope the future enjoys him and makes him the subject of interesting revisionism.

Comments and corrections will be very welcome. Read more...

I want to honour the life of Kate Hepburn, the graphics designer, who died in Hampstead's Royal Free Hospital in late July this summer. She made a big impression at Vole magazine in the late 1970s, and in many other creative ventures. Corrections and new information would be very welcome. Read more...

This is an account of the son of a well-known bookseller who became a pioneer writer and manager of wartime codes and then switched to conceiving and scriptwriting a fictional account of sado-vouyerism. His book, Between Silk and Cyanide: A Codemaker's War 1941–1945  (1998) tells the first story (its publication was delayed by censorship issues). Peeping Tom (1960, and directed by the famous Michael Powell), at first reviled and now a cult classic, tells its own story. The real Leo Marks (1920-2001) lurks tantalisingly somewhere in these works, but he is nowhere explicit about all that.. Read more...

My knowledge of the legal system is as much from TV as from my occasional apearences before judges in court (twice) and in Parliament (once). I have been a tourist observer of some judges, both civil and criminal, and felt a lot of respect and a batsqueak of anxiety. I have sometimes felt that the less we know about judges as people, the better for justice. And yet I fell on the memoir As in Memory Long (2017) by Lord Justice Peter Millett (1932-2021), with a will. It is deliberately but almost slyly revelatory. It was encountered by chance, but exerted a peculiar spell. Oddly, but above all, Millett was not a celebrity judge. He was not a Woolf, Hoffman, Sumption, Bingham or Lester and I prefer neglected byways to well-trodden highways. Perhaps that’s because I am struck that fame conduces to the performative. A couple of warnings. Peter Millett reveals himself to have had a certain pettiness in his nature. I have not skated over this. And I repeat: I am not equipped to judge him as a judge. Luckily, I have come across Colin Paterson,  an excellent writer who is, and nearly does. Read more...

The publication on 4 September 2024 of the final report into the catastrophic 2017 Grenfell Tower fire highlighted a wider range of issues than any single disaster report before it. It compounded twenty years' worth of corporate and institutional malfeasance which have brought the "crisis in trust" to the fore. From Enron (2001) to the decades of the Post Office scandal (which arguably added judicial failure to the mix), these debacles gave impetus to the pervasive modern sense that no modern public body could be relied on to be decent or frank. Read more...

In 2007 I wrote a book, Scrap the BBC!, saying that privatising the BBC was a cinch compared to fulfilling the far more important ambition of scrapping the big-state socialist NHS. A decade and a half on, I return in this rather long (<3,500 word) essay  to that tougher theme, and have ramped it up to encompass the even more important ambition to scrap the big state socialist welfare system altogether. That's the work of perhaps 30 years'-worth of Parliaments. It needs to be stated now as the long-term vision of any party which wants Britain to be post-socialist. Backing down from that challenge is an act of daily cowardice.
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This started as jottings about Glastonbury 2024, as seen on TV. It has morphed into a rather long account of all sorts of Glastonbury memories, and incorporating other festival moments, but ranging over the way the entire music scene has evolved in my time.

If some of the remarks seem judgmental, you might kindly put it down to the fact that I have been immersed in writing from the 19th and earlyish 20th Century when unfettered waspishlness was last in vogue. ¹ Read more...

Bernardine Bishop wrote two novels in her 20s, then became a psychotherapist until her 70s, when - forced by cancer - she abandoned her profession, and wrote three last novels. I look here at the first of her late books (published in 2013) and of her early books (published in 2013), both well received on their arrival. (Footnote ¹) Read more...

It has taken me many years to fret out what I mean by the question: What to do with words like 'spirituality' when applied in a material universe? Now that, at last, I think I have something like answers, the next question is: Can I usefully express myself on the matter? This post will be something of an evolving draft. Here goes.... Read more...

Excellent and, as usual, tantalising evidence of Stanley North's nature has quite suddenly been put my way. Tanya Harrod, the writer on the history and relationship of the worlds of art and of crafts, wrote asking me for some information about Stanley. Along the way Dr Harrod told me that Lucie Rie, the crucial modernist potter, had formed a strong relationship with Stanley, shortly after her arrival in London and late in his quite short life. Read more...