Mind & body.

I have been mulling over how to continue being an ageing small-boat sailor on a tight budget... Read more...

Jonathan Meades is a vital figure, a sort of a Christopher Hitchens for architecture, with a dash of Ian Nairn, but considerable wallops of Suggsy, and a undertone of some late 18th Century person (wonderful to think it might be JM's admired Burke himself). I very much approve his appreciation of Brutalism, though I would go further and wider.... Read more...

BBC R4 had a great In Our Time episode last week. It discussed Social Darwinism and taught me (I fear for the first time) to wonder which came first: the sociology, as in social, or the biology, as in Darwinism? Put it another way: who was the precursor of whom? Who got to evolution - and got to its messages - first? Was it our obvious hero Charles Darwin, or the famous old villain, Herbert Spencer? Naturally, I was rooting for Spencer.... Read more...

I am fond of the Selsey "Wave" and its three-dimensional homage to the great 19th Century print by Hokusai... Read more...

Most middle-aged people with any sense of history have had plenty of opportunities to try to get to grips with the horrors of the Japanese exploitation of their prisoners of war. On the face of it, the extraordinary real-life story of Eric Lomax's journey from victim to forgiveness would have made a wonderful film. But it hasn't, I think.... Read more...

As many reviewers have said, and I think Frank Kermode in the Guardian is about right, this is a richly-involving movie with a decent narrative in which paint-dryer and something close to a domestic thriller are combined. Comparisons with Jane Austen are justified. But there is a question as to political correctness, too... Read more...

As Victoria Coren noted in her TV documentary, Saving Mr Banks is a moving film, and is so even if one supposes that it Disneyfies the creation of Mary Poppins the film, and probably its real creator Walt Disney and possibly the books on which it is based, and maybe even the books' author. Layer upon layer indeed. Read more...

I have been reading Robert Byron's lovely, weird, The Byzantine Achievement (1929). I am drawn to the way the English mind admires the Hellenic as part of its being drawn to the Levantine. This Hellenophilia is a question of seeing Greece as something more, and more continuous, than merely having in its heyday been the birthplace of the Western mind. Besides, I like the way creative people like John Craxton (and the Durrell's of course) and others were so keen on Greece. Read more...

The John Craxton show at the Fitzwilliam Museum in Cambridge is very lovely, and much more so than I dared expect. This is Ne0-romanticism, or the English Romantic, at its giddy, evocative best. (It is very decently reviewed by Robin Blake in the FT.) It jived surprisingly with the London visit of Stanley Spencer paintings from the Sandham Memorial Chapel. (These are well-reviewed by Adrian Hamilton in the Independent.) Read more...

It was off to the V&A Masterpieces of Chinese Painting 700 - 1900 (ends 19 January 2014)  and to the Fitzwilliam, Cambridge for The night of longing: Love and desire in Japanese prints (12 January, 2014). Yes, I was stupid enough to miss the Japanese Shunga show in the British Museum's Rooms 90/91, the very place which set me off on this quest... Read more...