Richard D North.

As Victoria Coren noted in her TV documentary, Saving Mr Banks is a moving film, and is so even if one supposes that it Disneyfies the creation of Mary Poppins the film, and probably its real creator Walt Disney and possibly the books on which it is based, and maybe even the books' author. Layer upon layer indeed. Read more...

I have been reading Robert Byron's lovely, weird, The Byzantine Achievement (1929). I am drawn to the way the English mind admires the Hellenic as part of its being drawn to the Levantine. This Hellenophilia is a question of seeing Greece as something more, and more continuous, than merely having in its heyday been the birthplace of the Western mind. Besides, I like the way creative people like John Craxton (and the Durrell's of course) and others were so keen on Greece. Read more...

The John Craxton show at the Fitzwilliam Museum in Cambridge is very lovely, and much more so than I dared expect. This is Ne0-romanticism, or the English Romantic, at its giddy, evocative best. (It is very decently reviewed by Robin Blake in the FT.) It jived surprisingly with the London visit of Stanley Spencer paintings from the Sandham Memorial Chapel. (These are well-reviewed by Adrian Hamilton in the Independent.) Read more...

It was off to the V&A Masterpieces of Chinese Painting 700 - 1900 (ends 19 January 2014)  and to the Fitzwilliam, Cambridge for The night of longing: Love and desire in Japanese prints (12 January, 2014). Yes, I was stupid enough to miss the Japanese Shunga show in the British Museum's Rooms 90/91, the very place which set me off on this quest... Read more...

Regular readers will know that in 2010 I risked saying that BP's catastrophic accident and spill at its Deepwater Horizon drill in the Gulf of Mexico might not be as dire for the environment, the oil industry or BP as was being predicted at the time. I was thrilled to be asked to contribute to a Voice of Russia  (VoR debate: Has BP paid the price for oil spills?, 10 December 2013) panel discussion on these themes.... Read more...

The Call Kaye programme asked me what I thought about immigration in view of the news that Scotland had experienced a 370,000 net immigration in a decade. (I think this number derive from a Migration Observatory report, Migration in Scotland.) I said immigration is a mixed blessing and that England, having experienced a lot of it, was within its rights to now want a bit of a breather, to benefit both incomers and "hosts" (yes, I can convey inverted commas on steam radio). What followed rather surprised me. It should not have, and would not have had I read Iain Martin's excellent piece on immigration (and Scotland, and the Union) in Standpoint (December 2013). Read more...

I have been asked to debate the proposition that sceptics are winning the climate change argument (at the RAC in Pall Mall, 28 November 2013). The answer, I think, is a nice sceptical, "yes", and "no". Read more...

I have been thinking about why I have found most comics, graphic novels and animated films kind of not what I was after, and what I would love to see - but could only summon-forth from the mind and hand of someone else... Read more...

[This updates in June 2017 a piece which first appeared in late 2013.] All my life, like my father and grandmother before me I have known and loved Selsey, in West Sussex. It is the town at the tip of the Manhood peninsula south of Chichester, and famous for the Bill (its beak pointed at the sea). It has for years had Bunn's, Europe's biggest caravan park and now - abutting that - there is a brand new instant wetland, also Europe's largest of the kind. It is, in fact, a-buzz with change and far livelier than previously. Recently, I have taken to day-dreaming about Selsey's future. Read more...

The Association of Illustrators Awards 2013 exhibition tour features some of the most exciting artistic material I've seen this year. Read more...