I wrote this a few days after the death of Ken Uprichard (and have changed it slightly since). His family and mine have been friends for decades. He was latterly Head of Conservation at the British Museum but never seemed remotely grand to me - rather he was a countryman loving London. Read more...
I very much enjoyed Carey Young's video installation at the Towner Gallery, Eastbourne. (It closes 2 June 2019 but I imagine it will be screened elsewhere.) I know that I wanted to see the thing as soon as I saw the publicity still of a fair-haired, I would say careworn, woman, a judge I presume, returning the camera's stare. I am a little foxed and therefore intrigued as to what, in the event, it achieved for me. Read more...
I was lucky to have forgotten everything I knew about this film before I went to see it. Its 94 minutes of study of the moral, technical and emotional problems which suddenly confront Rike, a lone yachtswoman, as she cruises southwards down the Atlantic from Gibraltar toward Ascension Island, were a startling blend of the meditative and the thrilling. I was engrossed by the film throughout and only bothered to be properly sceptical about it when I got home. Read more...
This note is intended as a handy guide or cribsheet or starting point for people unfamiliar with tipping points, margins, critical mass, paradigm shifts. (It is a little in the manner of my Right-wing Guide To Nearly Everything - RWG2NE - which I fear never did really reach a critical mass, or a…. etc, etc)
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What kind of public performance should I try to deliver? I used to do quite big presentations for industry, schools, universities and NGOs. I appeared once at the Hay Literary Festival and once at Glastonbury (until I was run out of the latter by grunge eco-freaks). These events were highly argumentative, and entertaining for at least some in the audience, which I very seldom appeased.
Now, I want to face different challenges in a quite different spirit. Read more...
"The Wife", enjoyable and in places subtle and supple as it is, remains open to the charge that its basic premise and plot does no favours to feminism. Read more...
In 1924, Stanley Kennedy North drew two maps, one for the Thomas Cook tourist business and the other a London transport map for the 1924 British Empire Exhibition (the one featured in The King's Speech).
This is an account of my attempts to discover and understand the 20th Century Jewish philosopher of the person, and especially of empathy, Edith Stein. It is important to note that she was - and is - also Saint Teresa Benedicta of the Cross. Stein was never the secular philosopher who switched to religion. I think philosophy and spirituality were co-mingled in her, as in many others. I find myself bouncing Stein and Wittgenstein off one another.
My piece appends what I hope are fruitful leads. I re-hashed this piece 01/01/23 Read more...
