Politics & campaigns.

I have not written what follows in the hopes of steering unsuspecting people away from watching this movie. I don't think it's dangerous or really bad. Rather, it bemused me. And then looking around online for reviews of it puzzled me some more. I can't find anyone who didn't rate it. Even Mark Kermode was in line, and he often sniffs out inadequacy and spots awkward quality. It reminded me of the UK's Supreme Court in one of the Brexit cases: there was a unanimity amongst the judges and its main effect was to erode confidence in their opinion. I lightly wonder if this is the arts equivalent: maybe an omerta of wokeness. Anyway, this is written in case someone who didn't like the film does a search in the hopes of finding someone else out there who didn't respond well to Rojo. Read more...

This long PDF is a slightly cleaned-up transcript of an interview with RDN by the academic researcher, Richard Douglas of the Centre for the Understanding of Sustainable Prosperity. Richard is especially focussing on "the meanings and moral framings of the good life."

The interview was exciting for me because it was the first time anyone had asked me to explain the background for my environmental - and later my revisionist - thinking. What's more, and even better, it was the first time anyone had inquired as to the spiritual background to my thinking. Read more...

A personal account of Timothy Lawson-Cruttenden, 23 January 1955 - 17 April 2019 : A fine Christian, civil liberties lawyer, cavalryman, charity worker, and sportsman. (2000+ words) Read more...

Within a few days of each other there has been a very good trio of newspaper articles on how one defines a Conservative, not least in contrast to or comparison with one's being a Right-winger. I am taking the opportunity to locate my idea of a Civilised Right-winger in this picture.

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This is a remarkable TV meditation on whether the African can be like, or even understand, the European, or vice versa. It makes a rather good and very sad case that they can't, or anyway that the aid system wasn't doing so in the 1980s. Both sides were too busy exploiting each other's many weaknesses. I write the following not least in case it tempts others to pitch in with their reading of the show. Read more...

Royal and aristocratic women often wielded considerable power as mothers and widows. It is curious how other women, formally unable to own or control assets in their own right, did often inherit their late husband’s stake in the wider world, and run it. They had other routes to control as well. Read more...

I very much enjoyed Carey Young's video installation at the Towner Gallery, Eastbourne. (It closes 2 June 2019 but I imagine it will be screened elsewhere.) I know that I wanted to see the thing as soon as I saw the publicity still of a fair-haired, I would say careworn, woman, a judge I presume, returning the camera's stare. I am a little foxed and therefore intrigued as to what, in the event, it achieved for me. Read more...

I was lucky to have forgotten everything I knew about this film before I went to see it. Its 94 minutes of study of the moral, technical and emotional problems which suddenly confront Rike, a lone yachtswoman, as she cruises southwards down the Atlantic from Gibraltar toward Ascension Island, were a startling blend of the meditative and the thrilling. I was engrossed by the film throughout and only bothered to be properly sceptical about it when I got home. Read more...

"The Wife", enjoyable and in places subtle and supple as it is, remains open to the charge that its basic premise and plot does no favours to feminism. Read more...

It is possible that my title is one tad too strong, if nicely economical. At more and milder length I would say The Favourite is disobliging to women and in particular to the interesting women it purports to portray. Read more...