On art.

We are missing a huge opportunity to cheaply and globally spread pleasure and much else. I am a fan of the digital reproduction of real world artworks, indeed of hardcopy images of every sort, whether 2D or 3D. This piece discusses these issues as applied to maps, paintings, drawings, embroideries, fabrics and - last but by no means least - stained glass windows.  I am drawing attention to our generation's failure to post online digital images at medium or high resolution a far greater abundance of artwork. I am hoping to encourage publishers and owners of medium- and hi-res images, and curators of real world images, to get behind this sort of work. (Elsewhere I look at the 2D and 3D digital facsimile world of Factum Arte.)

I hope these four case studies may make the points. Read more...

This is the second part of a passionate (and I hope modest) layman’s tentative review of the book The Stained Glass of Herkenrode Abbey [TSGHA] by Isabelle Lecocq and Yvette Vanden Bemden, published by the British Academy and Oxford University Press, 2022. Read more...

This is the first part of a passionate layman’s ignorant and tentative review of the book The Stained Glass of Herkenrode Abbey by Isabelle Lecocq and Yvette Vanden Bemden, published by the British Academy and Oxford University Press, 2022. This first outing covers some overall impressions of the work, but concentrates on the opening 40-odd pages (out of the tome's 500-odd) which focus on the Belgian abbey; the creation and reputation of its 16^th Century stained glass up until the end of the 18th Century The windows' rescue and adventurous passage to England is posted as "Herkenrode Stained Glass book #2". (Their arrival at Lichfield Cathedral, installation in the cathedral, religious symbolism and recent restoration will have to wait whilst I catch my breath and read things up.) Read more...

This posting could be subtitled: "Adventures in ancient and Modern taste". Or: "An illustrated sketch of a controversial paintings conservator, dedicated artist, craftsman and rural revivalist". Stanley Kennedy North (1887-1942) was my grandfather and I am hoping to see his work and role recognised, interrogated and archived. Read more...

This is an account of innovative "stained-glass" work done by youngsters in a Sunday School in the first decade of the 21st Century. Designed for their parish church, it deploys plastics technology and was undertaken partly in reparation of mid-20th Century arson damage to its Victorian glass. I love this body of work because it shows great respect for the medieval. It is at once muscular, naive, and feeling: I risk saying that it leaps across centuries, just as great Old Stained Glass does. Read more...

Subtitle: Female affluence and patronage, or the vicissitudes of compulsive collectors. Or: Abbesses, arrivistes, aristocrats and art.

Context: Last October my wife and I broke a round trip to Northumbria with overnights in the English Midlands and came across fabulous artistic treats. I was guided partly by a Matthew Parris… Read more...

I have become a stained glass nut and hunt it down wherever I may. It is a crucial add-on focus for any trips. It is an addition to the spiritual tourism I am prone to as some sort of secular pilgrim. It is worth saying that this can be virtual… Read more...

Liminal is a lovely word for what I find a very moving and rewarding set of ideas. Much as I like it, though, I find its use, including even my own use of it, may have got out of hand. This piece explores some of all that. I want to… Read more...

If you are reading this, something has made you curious about what liminality might be or mean. This piece discusses what I will call the Liminal Zone. It’s a wide imaginary territory where Loose Liminality roams free. I call it a zone because in 1988 I wrote an essay in… Read more...

This is a longish (1,700 word) cribsheet on how one can judge gardens – and fashion, art and much else - almost objectively. It aims to counter the relativism and populism of the argument which suggests that all opinions are subjective and thus purely a matter of personal taste. Read more...